Parts of the Porta02
clockwise to
MIC
for any channel which
When the
PHONES MONO
switch is
is recording a microphone.
pressed, these controls will have no effect
on the output from the
PHONES
jack.
Instruments such as electric guitars pro
duce a signal which is between
MIC
and
[13]
REC FUNCTION switches
LINE
levels and the
TRIM
control should
(1 and 2)
therefore be somewhere between fully
These switches control where the signals
clockwise and fully counter clockwise.
coming into the
MIC/LINE
jacks will be
See 3.3, Setting the level for full details
recorded. For both switches 1 and 2, the
of how to adjust the
TRIM
controls for dif
center position is marked as
SAFE
. When
ferent input sources.
a switch is in this position, no signal will
be recorded on tape. However, you can
[9]
POWER indicator
still listen to the signals coming into the
This yellow light is lit when the Porta02
MIC/LINE
jacks and view the levels on the
is connected to the power supply and
meters.
switched on.
When set to a number (
1
or
3
for channel
[10]
Tape counter and reset
1, or
2
or
4
for channel 2), the signals
button
input to the channel will be recorded on
The tape counter allows you to note dif
the track whose number has been set on
ferent parts of the tape and locate to
the switch. This is called assigning or
them. Press the reset button to reset the
routing channels to tracks.
counter to 000 at any time (we suggest
[14]
Channel meters (1 and 2)
that you only do this at the beginning of a
Each channel has a set of four LED indi
recording).
cators which show the level of the signals
[11]
OUTPUT LEVEL controls
sent to the
LINE OUT L
and
R
jacks.
Exactly what is metered depends on the
These controls change the levels of the
REC FUNCTION
switch settings, but gen
four tape tracks in the
LINE OUT
and
erally, they display the signals at the
MIC/
PHONES
outputs. When one of these con
LINE IN
jacks, and when the input chan
trols is turned fully counter clockwise,
nels are set to
SAFE
, the meters show the
the tape track corresponding to that con
off tape signals, whose levels and pan
trol will not be heard in the
LINE OUT
and
positions are set using the
OUTPUT
PHONES
outputs.
LEVEL
and
PAN
controls.
[12]
OUTPUT PAN controls
The best level for any input signal is
These controls change the position of the
when an averagely loud part of the signal
four tape tracks in the stereo
LINE OUT
lights the red
0
indicator, and the
+6
indi
and
PHONES
outputs. When one of these
cator (also red) is only lit by the loudest
controls is turned fully counter clock
parts of the signal. See 3.3, Setting the
wise, the sound of the corresponding tape
level for details of how this should be set
track will appear to come from the left,
up.
and when turned fully clockwise, it will
appear to come from the right. When in
[15]
Channel faders (1 and 2)
the center position, the output will appear
These faders are used to adjust the level
equally from both the left and right.
of the signals coming into the
MIC/LINE
11
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